Updates and New Site!

Hi everyone,

Huge apologies for the radio silence!

I can’t believe I started this blog just when I was starting my PhD – over three years ago. So many amazing things have happened since then – I’m still trying to process a lot of it!

I haven’t abandoned this blog entirely – but I have started a blog devoted mainly to my Spoken Word that deals with Science News and Science Fiction. However, it seems to be assimilating this one, but let’s see how it goes. CLICK HERE to check the blog.

See you soon!

Suzie x

News and Updates!

With the unfortunate news that we couldn’t stage Cuckoos and Chrysalides in April, I have some exciting announcements that I will list here and on the Stars or Mars website!

June is going to be a pretty heavy month for me, that’s for sure.

1st June:
logoWe are taking the stage at the Hackney Attic with our show called RESPAWN! The play follows two identities trying to find peace with their pasts and present, which has been drastically changed through the process of uploading consciousnesses. Can they prove that immortality doesn’t have to be a hard sell?

I will be giving talks at the Current Research in Speculative Fiction 2015 in Liverpool, talking about the portrayal of Time in Science Fiction Theatre, as well as the Being Non/Human conference in London and Smashing the Stigma of Science Fiction Theatre at the SFRA conference in Stony Brook. Miraculously none of these dates clashed, taking place on the 8th, 17th and the 25th-27th respectively.

sum-front-coverSUM will also be returning this year, but at the Camden Fringe from the 28th-30th August! Very excited about this! I’ll give you more updates as they arrive.

Speak soon!

New Play in April 2015!

CuckoosandChrysalidesApologies again for the delayed post!

I’ve been busy in the rehearsal room and at various coffee tables around London, working on plays and my thesis recently. I’m very proud to say that Cuckoos and Chrysalides is in its full reincarnation at the Bread and Roses Theatre very soon – in fact, from the 7th-11th April!

Check out the site here:

http://www.cuckoostheplay.co.uk

The synopsis is:

Cuckoos and Chrysalides depicts the story of a woman who is preserving her children to the time she feels right by uploading them.

Her mother is helping her against the social backlash as the space to upload is becoming contested by many sources.

Who will get the space and who is in control?

What is particularly noteworthy about Cuckoos is that I directed a fragment of the play a couple of years ago, and seeing how it will be interpreted as a full length play in contrast will be interesting to say the least! Each scene releases part of the plot in a pressure cooker esque way, so I’m excited to see how the audience will react!

Updates, Imposter Syndrome and Yugi-Oh

So I went to my first conference abroad – Stage the Future 2 (the first organised by Chris Callow Jr. and myself in London in 2014), and it was truly a memorable experience. It stood out particularly for me since it was set this year in Arizona – where I’ve been in different stages of my life – and now my present(ish) stage had met them and joined in this assemblage. I would never have imagined myself giving a talk at the University here years ago – and I’m so thrilled to have had the opportunity.

Whilst I’ll be writing up more of a travel tour guide, there’s something I wanted to discuss about a specific phenomenon and how I’m slowly changing in regards to it. Like jetlag, some people get it and some don’t at all. Most likely it’s on a spectrum of intensities, like plenty of things.

Strangely enough, I was struck with the thought this morning (still adjusting to the jetlag of 7 hours difference) of imposter syndrome. I shouldn’t be here, I don’t know enough, etc. etc.

Yes, I’ve had an enormous academic chip on my shoulder for quite some time. Since this is my PhD/writing blog, it made sense to me to write these feelings down and see how I’ve changed in my ever-increasing years as a postgrad.

It’s not uncommon, I presume. However, I was told in my high school years that University was a realm way outside of my league – an elusive palace for the elite, and I was not academic enough to attend. Not in those words exactly, but the gist can be found in there.

However, I did ignore them and studied English with Creative Writing, which had been (and still is, of course) the greatest passion of mine since I was 6. Even though later on I would take to reading science textbooks and programming manuals amongst my story books a few years later, creative writing was always my first love.

When I started my PhD, however, my rashes of inadequacy flared up again.

The title, for one, can be intimidating. To claim your original argument in no doubt an extensively large body of work is not one to be sniffed at. We can claim to be good at things, or even an expert, but once that “title” is authorised, that tower can quickly come down.

I still have imposter syndrome, of course. It’s not that I’ve gotten over it. It’s just that I’ve learnt to handle it better.

The key is always to ask questions. It doesn’t stop – and shouldn’t, I imagine, after you receive your doctorate. The important thing to remember is that the body of work is just that – a body. An organic creation that is always growing, shedding, and changing. You have to listen to its thoughts and feelings like you do for whose you “follow” on social media. No one can claim to know it all, and that’s exciting.

My imposter syndrome came in the form of, what they call in Yugi-Oh, defence mode. I would worry that people were trying to catch me out with things, so I wouldn’t be so forthcoming. Believe me, some people will be – it’s just a matter of knowing what rule book they’re playing from.

The important thing is not to be afraid to ask questions, follow up discussions, to keep in contact – people generally seem to like informing and helping people. They’ll probably find it flattering that you came to them. This is very true of myself.

Nearing the End of 2014…

And it’s about time that I update the blog! 2014 has been such an exciting year – writing, performing, producing and presenting – and I’ve met so many amazing people who have wowed me with their hard work ethics, friendliness and creative brilliance.

Conferences

This was the year of the first SF Theatre conference – Stage the Future! We had performances, papers, discussions and more. You can read reports here and here. I want to thank all those who took part and attended, as well as those who supported us throughout. Also big thanks to Christos Callow Jr. for being a great co-organiser!

I also had the pleasure of presenting SF Theatre things to Lincoln twice this year – one as part of the Performing Science Conference (just before Stage the Future actually!) and the What Happens Next conference. Not a conference, but had a great talk at the Equity North/East Branch in Dec this year – discussing the pros and cons of staging SF on stage. They were a great audience, full of ideas and enthusiasm! Thank you for giving me the opportunity to spread the word far and wide!

Performances

Performances have been crazy for me this year: Terra Firma was performed as a rehearsed reading in Feb, then as part of a fully produced play at the Camden Fringe in August. Both took place at the Etcetera Theatre, who were very accommodating indeed. Thank you to Ryan Watson, Alice Havilyn, Natalie Boakye, James Unsworth, Christos Callow Jr., Barra Collins, Rus Kallan, Jessen Aroonachellum, Paul Valentine, Eleanor Russo, Briony Wyatt, Sarah Bauer and Judith Georgi.

The Reality Test was a short play of mine that was produced as part of the Writers Bloc Night “CAGED”. I managed to do a few rehearsals before I had to leave for both conferences, leaving the production afterwards in the very capable hands of Jack Heath and Alice Havilyn, who did a great performance on the night – thank you so much!

Notes from Other Worlds was published and performed! Thanks go to Playdead Press for making my 20 year + dream a reality – nothing beat the moment when I saw my book in Foyles. Incredible! The SF monologue book has been a long project for me on and off, and it was all so so worth it. Thanks also go to Jessen Aroonachellum, Briony Wyatt, Judith Georgi, Eleanor Russo, Paul Valentine and Eva Mi Becker for their readings. SUM was my last run of performances in the year, which included my own performance – which I was extremely nervous about! I’ve always wanted to act in one of my SF plays and the cast and crew made the experience so comfortable, fun and challenging (in a good way!). Thanks go to Christos Callow Jr., Melanie Crossey, Lydia Kay, Briony Wyatt, Eleanor Russo and Lucy Harrison for her amazing composition and overall managerial skills! It’s such an honour to act amongst such talented people – especially Melanie, whom I shared most of my scenes with. I couldn’t have found a better Syne! Videos will hopefully come soon.

Publications

Notes from Other Worlds and SUM were published this year, which I’m ecstatic about! notes_from_other_worlds_front_coversum-front-cover

Aren’t they beautiful? You can read more about them here. I also have a small play published at Amazing Stories, one that inspired the writing of SUM. The original idea was a posthuman version of Susan Glaspell’s (great name) Trifles. So an amazing year all round – I couldn’t have done any of it if it weren’t for these amazing people in my life. I’m incredibly blessed.

Hope you have a Merry Christmas and see you all in 2015! xxx

Updates!

I’m delighted to announce some autumnal updates!

1) Notes from Other Worlds – Reading at Creative Centre for Collaborative Collaboration

IMG_20140821_122230

I’m having a reading to celebrate my first published book, Notes from Other Worlds (you can see my fingers oddly coiled in the polished sheen of the cover) at the Centre for Creative Collaboration in Kings Cross on 29th September, 7:30-9:00pm. It’s free, there’s wine and books. What could be better?

The Link for more info on the book can be found here.

2) Sum – Bread and Roses Theatre 

SUMimageFB

Sum, a new play of mine, is being staged at the Bread and Roses Theatre from the 27th-29th November and the 4th-6th December – focusing on new societies created from the pilot of a hivemind technology. Odd fact – the image is actually a painting of mine 🙂

I’m actually whipping up a separate site for this, along with notes and ideas, so you can have a peek if you want!

Tickets are already on sale! Have a look here.

3) Interview with Female Arts

If you’d like to know a little more about both of these projects plus a little more, check out my interview with Female Arts where I discussed them in a little more detail. They are a great initiative that promote female involvement in the arts (they also reviewed Terra Firma for us!).

The link is here.

Thanks!

Appearances!

The month of August is speeding past (rather predictably), but it’s an especially exciting one for me!

1) Notes from Other Worlds

You may have noticed me post on monologues from time to time – well, I have good news on that front! Notes from Other Worlds is being published by Playdead Press, which is my collection of monologues based on SF tropes, but ones I feel lend themselves particularly to the human experience and therefore feels effective being acted out. The cover reveal will come soon!

2) Loncon3

I’ll be on the panel for Staging the Fantastic for Loncon3 amongst a stellar set of people, which I’m both excited and nervous for! The details are here:

Staging the Fantastic
Capital Suite 16 (ExCeL)
Sat Aug 16th, 6pm – 7pm

Erin M. Underwood, Susan Gray, James Patrick Kelly, Geoff Ryman, David Wake
Is this a golden age for genre theatre? On both sides of the Atlantic, fantastical theatre has seen notable successes in recent years – from ‘blockbuster‘ productions at the National Theatre of His Dark Materials and the original Tori Amos/Samuel Adamson musical, the Light Princess, to smaller, thought-provoking independent work from groups such as The Alchemist Theatre Company, Unlimited Theatre, Luna Theatre Company, and the BFG Collective. Earlier this year, Stage the Future was the first international academic conference on SF theatre; and the forthcoming anthology Geek Theater collects genre theatre by numerous playwrights and other SF authors. So what are the challenges and opportunities of putting SF and fantasy on stage? How does SF theatre use special effects, which are so central to other forms of visual SF? And how is the audience for SF theatre growing and changing?

 

3) Terra Firma at the Etcetera Theatre

On the 18th -20th (just after Loncon actually), starts our run of Terra Firma at the Camden Fringe! Find more out at http://www.terrafirmaplay.co.uk.

See you there! 🙂

So, what happened recently?

Well, April went by as some sort of manic blur, but I’m finally back!

Things have happened. These are:

1) The Performing Science conference at Lincoln, organised and hosted by Andy Jordan, ran from the 23rd to the 25th April with amazing keynote speakers Carl Djerassi and Michael Frayn. I gave a talk on the differences and benefits of Science Theatre and SF Theatre and had my monologue, The Russian Doll Case, performed. It was a great array of speakers – academics, practitioners, producers, scientists et al. So many perspectives and angles! Thoroughly enjoyed it. I also managed to see Bloodlines before I dashed for the train – an intricate performance presenting the idea of blood tranfusion through physical theatre.

Then it was time to get ready for:

2) Stage the Future at RHUL, on the 26th and 27th April! It was great to see the passion and commitment everyone had in the room – simply buzzing with ideas, performances and ways to bridge communities together. From the past, present to future, I think everyone found out about at least one production they’d never heard about, a new angle to take, a new theoretical bridge to cross. I presented a paper on worldbuilding, using Terra Firma as an example. There were performances and papers from academics, practitioners, directors, producers, actors etc. We wanted to have this balance between academia and performance – because, well, that’s what the theatre is really about and SF Theatre needs more recognition in both of these areas. Of course, this is only the beginning – there are many plans waiting in the woodwork that I will announce when I can!

The next day:

3) My short play, The Reality Test, was staged amongst a series of performances on the theme of CAGED at The Old Red Lion Theatre in Angel, produced by the wonderful Writers Bloc. This piece depicted two performers going through an infinite loop – but trying to hide these patterns of behaviour from the other. Which one are real or are both simply a fabrication? The actors Alice Havillyn and Jack Heath did tremendously well – I was only able to have two rehearsals with them before I went to Lincoln – and they did a sterling job, I have to say!

The next day:

4) I had Terra Firma read by KDC Theatre (and recently had Fishbowl read last night) and they’ve given me much food for thought and ways to add and cut a few lines here and there. It’s been very beneficial!

So now, what are my plans?

I’m doing another collaboration for Written and Composed with Lucy Harrison, which is a mixture of soundscape, installation and live performance. It’s based on one of the monologues from my book, Notes from Other Worlds. I’m so excited for this! It’s on the 22nd May (not long now!) at Toynbee Studios. Link here.

I’m also preparing for my annual review in June – sorting out which creative things to submit!

Things are underway for Terra Firma – the full production! I’ve been sorting out press and all that jazz and it’d be great if you could come and see the finished version (whether you’ve seen the rehearsed reading or not!). More details will be available soon!

I’ve also started the new theatre company that I’ve thought about for so long – Stars or Mars Theatre is finally up! This is to create a network to collaborate and create original works of SF Theatre in London. I have 3 ideas so far for potential collaborations, but they’ll be put up on the site in due course. You can find the link here.

I’m also planning a new play – I’m just waiting for all the ideas to hit a vantage point from which to write from. Rather tedious, but hey!

Susan

 

Updates!

Firstly, apologies for leaving it so long to update!

1) The Terra Firma reading was a great success – we got great feedback and response from the audience and I’m so grateful for stellar direction and acting from a great cast in such little time. I do have some good news to share about this, which I will do in time!

event image

 

2) I will be giving a paper in Lincoln for the Performing Science Conference (April 24th – 25th) on the topic of Science Theatre and SF Theatre, the differences between them and how attention should be paid to both forms.

3) Stage the Future is well under way!  Very excited for it, the programme is simply amazing! Check it out here:

EventBrite for Stage the Future

Stage The Future Poster

4) Also, watch this space for the monologue book!

Fiction Friday

ImageAnother cultural marker (following on from last post) – Happy Valentine’s Day to you all!

Hope you’re all well! I’ve been busy working on my play which is going to have a staged reading at the Etcetera Theatre on the 25th/26th February! I’m utterly thrilled by this! We’re well underway in rehearsals and the cast and crew have been utterly superb. Terra Firma is obliquely quite a personal play to me – as I’ve written and redrafted it on/off (which is quite unusual for me), I can actually pinpoint the times in which I wrote certain parts!

You can find out more about the play at this website, which I’ll be updating shortly – http://www.terrafirmaplay.co.uk

So apart from this, I’ve been writing monologues for my collection, of whose working title currently is Notes from Other Worlds. I’m not *too* sure about this title wise (I don’t consider myself well versed in titles, unfortunately), so any suggestions would be helpful!

I’m working on some more plays – I’ve recently redrafted Pandora’s Box and Fishbowl and am starting planning on the new plays 🙂 Also, stay tuned for conference news – lots of exciting things to come!

Susan